| dc.contributor |
|
|
| dc.contributor |
|
|
| dc.creator |
syaifinnuha, hardias |
|
| dc.creator |
Santana, Septiawan |
|
| dc.date |
2016-02-20 |
|
| dc.date.accessioned |
2019-09-12T03:00:29Z |
|
| dc.date.available |
2019-09-12T03:00:29Z |
|
| dc.identifier |
http://karyailmiah.unisba.ac.id/index.php/Jurnalistik/article/view/3136 |
|
| dc.identifier.uri |
http://hdl.handle.net/123456789/23249 |
|
| dc.description |
This study is about a movie, entitled Kubur Kabar Kabur as a portrait of violence suffered by Indonesian Journalist which is analyzed by using John Fiske Semiotics Analysis. Kubur Kabar Kabur tells about the violence experienced by Indonesian journalist. Nowadays, so many violences, especially physical violence, are suffered by journalists. Whereas, the journalistic profession gets the legal protection in conducting his profession. Yet, the reality shows that within the last 10 years (2005-2015) there has been a 486 violence occurred. This research aims to determine the portrait of violance suffered by Indonesian Journalist in the Kubur Kabar Kabur movie. It uses semiotics method by using the codes television analysis from John Fiske. This methods analyze the dialogues, gestures, expressions, cameras, and idealism. The results of this study reveals that the violence portrait of Indonesian journalists in the movie is offensive violence, open violence and closed violence. |
|
| dc.description |
kekerasan terhadap wartawan di indonesia bagaikan polemik yang seakan tidak bisa teratasi. dalam 10 tahun belakangan kekerasan yang terjadi di indonesia mencapai angka 75 kasus kekerasan. dengan angka yang tidak begitu kecil, film "Kubur Kabar Kabur"di buat untuk memberikan pendidikan, pengetahuan kepada masyarakat tentang kekerasan terhadap wartawan. untuk mengetahu bagaimana potret kekerasan dalam film tersebut yaitu dengan menggunakan analisis kode-kode televisi John Fiske. dengan menggunakan teori ini ada tiga level yang harus di teliti yaitu level realitas, level representasi, dan level ideologi. berdasarkan hasil penelitian, ada berbagai temuan kekerasan yang dialami oleh wartawan di indonesia didalam film "Kubur Kabar Kabur"yaitu kekerasan terbuka, kekerasan tertutup, dan kekerasan offensive. |
|
| dc.format |
application/pdf |
|
| dc.language |
ind |
|
| dc.publisher |
Prosiding Jurnalistik |
|
| dc.publisher |
Prosiding Jurnalistik |
|
| dc.relation |
http://karyailmiah.unisba.ac.id/index.php/Jurnalistik/article/view/3136/pdf |
|
| dc.source |
Prosiding Jurnalistik; Vol 2, No 1, Prosiding Jurnalistik (Februari, 2016); 85-90 |
|
| dc.source |
Prosiding Jurnalistik; Vol 2, No 1, Prosiding Jurnalistik (Februari, 2016); 85-90 |
|
| dc.source |
2460-6529 |
|
| dc.subject |
|
|
| dc.subject |
Film, Violence, Journalism |
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| dc.subject |
Jurnalistik |
|
| dc.subject |
kekerasan, semiotika, wartawan, film. |
|
| dc.title |
the portrait of violance suffered by Indonesian Journalist in the Kubur Kabar Kabur movie |
|
| dc.title |
Potret Kekerasan Terhadap Wartawan Di Indonesia Dalam Film "Kubur Kabar Kabur" |
|
| dc.type |
info:eu-repo/semantics/article |
|
| dc.type |
info:eu-repo/semantics/publishedVersion |
|
| dc.type |
Peer-reviewed Article |
|
| dc.type |
|
|
| dc.type |
Kualitatif |
|