| dc.contributor |
|
|
| dc.contributor |
|
|
| dc.creator |
Prasetyo, Bobby Agung |
|
| dc.creator |
Astuti, Santi Indra |
|
| dc.date |
2016-02-19 |
|
| dc.date.accessioned |
2019-09-12T03:00:39Z |
|
| dc.date.available |
2019-09-12T03:00:39Z |
|
| dc.identifier |
http://karyailmiah.unisba.ac.id/index.php/Jurnalistik/article/view/2490 |
|
| dc.identifier.uri |
http://hdl.handle.net/123456789/23396 |
|
| dc.description |
The direction of Indonesian music nowadays shows its inconsistence. It is quite debatable since the markets’ interest and someone’s interest in listening music doesn’t always meet. At this point, media also participate in taking part. Through the qualitative research by using the critical discourse analysis of Van Dijk, the study analyzes the article text in The Kanal Feature Disorder Zine find out the meaning of its resistance against Indonesian music pop culture. In addition, the study also tells the alternative media implication to the social culture of Indonesian pop music nowadays. The result shows that Independently, the collective concept in Disorder Zine taken from its founder, Zaka Sandra Novian and Raka Ibrahim, is not too far with the other Zine in general. Some disorders always try to find ‘another way’ from the current mainstream. Finally, this study reveals the main ideology from the Zine’s topic of independent music and culture. |
|
| dc.description |
“Mau dibawa ke mana, hubungan kita?” Syahdan, sepenggal lirik lagu “Mau Dibawa Kemana” milik grup band Armada tersebut seolah mewakili pertanyaan tentang arah musik Indonesia yang saat ini tak hanya konsisten dalam satu jalur. Hal tersebut konon menjadi perdebatan tersendiri, mengingat korelasi antara pasar dan minat seseorang dalam mendengarkan musik tak melulu selaras. Pada titik inilah, tak terkecuali, media turut serta dalam mengambil peran. Melalui metode penelitian kualitatif dengan pendekatan analisis wacana kritis Van Dijk, penulis membedah teks pada artikel di Kanal Feature Disorder Zine demi menelaah makna perlawanannya terhadap kultur musik pop Indonesia. Selain itu, penulis juga berniat untuk membahas implikasi media alternatif tersebut terhadap lingkup sosial masyarakat saat ini.. Setelah analisis teks dilakukan, pada akhirnya nanti kita dapat melihat makna serta ideologi tersendiri dari zine pengusung topik musik dan budaya independen tersebut. |
|
| dc.format |
application/pdf |
|
| dc.language |
ind |
|
| dc.publisher |
Prosiding Jurnalistik |
|
| dc.publisher |
Prosiding Jurnalistik |
|
| dc.relation |
http://karyailmiah.unisba.ac.id/index.php/Jurnalistik/article/view/2490/pdf |
|
| dc.source |
Prosiding Jurnalistik; Vol 2, No 1, Prosiding Jurnalistik (Februari, 2016); 127-132 |
|
| dc.source |
Prosiding Jurnalistik; Vol 2, No 1, Prosiding Jurnalistik (Februari, 2016); 127-132 |
|
| dc.source |
2460-6529 |
|
| dc.subject |
|
|
| dc.subject |
Critical Discourse Analysis, Resistance, Indonesian Pop Music, Disorder Zine, Alternative Media |
|
| dc.subject |
Prosiding Jurnalistik |
|
| dc.subject |
Analisis Wacana Kritis, Resistensi, Musik Pop Indonesia, Disorder Zine, Media Alternatif |
|
| dc.title |
Tone Distortion in The Minor Note |
|
| dc.title |
Distorsi Nada dalam Catatan Minor |
|
| dc.type |
info:eu-repo/semantics/article |
|
| dc.type |
info:eu-repo/semantics/publishedVersion |
|
| dc.type |
Peer-reviewed Article |
|
| dc.type |
|
|
| dc.type |
Kualitatif |
|